The Bookshop on the Corner Read online




  Epigraph

  Let us read, and let us dance;

  these two amusements will never do any harm to the world.

  VOLTAIRE

  Contents

  Epigraph

  A Message to Readers

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Chapter Twenty-three

  Chapter Twenty-four

  Chapter Twenty-five

  Chapter Twenty-six

  Chapter Twenty-seven

  Chapter Twenty-eight

  Chapter Twenty-nine

  Chapter Thirty

  Chapter Thirty-one

  Chapter Thirty-two

  Chapter Thirty-three

  Chapter Thirty-four

  Chapter Thirty-five

  Chapter Thirty-six

  Acknowledgments

  P.S. Insights, Interviews & More . . .* About the author

  Read on

  Praise

  Also by Jenny Colgan

  Credits

  Copyright

  About the Publisher

  A Message to Readers

  There is no dedication in this book because the entire book is dedicated to you: the reader. To all readers.

  Because this book is about reading and books, and how these things can change your life, always, I would argue, for the better. It’s also about what it feels like to move and start over (something I’ve done quite a lot in my life), and the effect that where we choose to live has on how we feel; and can falling in love in real life be like falling in love in stories, and also there’s some stuff about cheese, because I have just moved somewhere they make lots of cheese and I can’t stop eating it. And a dog called Parsley.

  But it has a lot about books in it, because Nina Redmond, the heroine, dreams of opening a bookshop.

  So here are some useful tips about where you read, because I want you to be as comfortable as possible. If I have missed out a really obvious one, or you do something completely different, please drop me a line via Facebook or @jennycolgan on Twitter, because I am of the old-fashioned conviction that reading is a pleasure to be carefully guarded at all times, and I truly hope you find this book as pleasing to read as I did to write, wherever you do so.

  Bath

  9:45 P.M. is my chosen wind-down time for a bath, which drives my husband crazy, as he has to sort the thermostat out if it’s not the correct temperature (only very slightly cooler than the surface of the sun), and keep the water constantly topped up. It is a true luxury. Except I don’t like bath oil. It’s disgusting, isn’t it? It just coats everything. Anyway, not the point. Book in bath. Paperbacks are ideal, obviously, and the worst that can happen is you have to dry it out on the radiator (all my children’s handed-down Harry Potters are utterly warped), but I read a lot on my e-reader and I will let you into a secret: I turn the pages with my nose. You may not have been blessed with a magnificent Scots-Italian Peter Capaldi nose like me, but with a bit of practice you should soon find it’s perfectly possible to keep one of your hands in the water and turn the pages at the same time. If there is anyone in your house with a habit of bursting into the bathroom, make sure you lock the door, as in my experience people do find the sight slightly hilarious.

  Alternatively, my friend Sez uses both hands but wraps her e-reader in a plastic bag. Sensible.

  Bed

  The only problem with bed reading is its brevity: two to three pages and you’re out like a light. If it’s been a particularly long day, you may swim in and out a bit before you actually doze off, and then you’ll pick up the book the next evening thinking, was there a pink unicorn running through an examination hall while I chased after it in my pajamas in this book? and I will have to say to you, no. There is nothing like that in this book. You were nodding off and I’m afraid you have to go back a couple of pages. However, I have helpfully given all the characters very different names from one another. There’s nothing worse than reading about a Cathy and a Katie late at night, and I don’t want to make anyone’s life harder than it needs to be.

  Sunbed

  On vacation on a sunbed is supposed to be perfect for reading, and in fact in my life I have measured out my sunburn in terms of how brilliant the books I was reading at the time were. Where to hold the book is a problem, though. Hold it up and your arm gets tired and you get a big book-shaped tan mark (which I believe in some circles is quite the cool signifier). Read into the sun and you squint in an unattractive fashion. Sitting cross-legged with it on the towel is not the most flattering of poses (if you’re me; I droop somewhat). Lie on your front and you sweat on to it and the plastic bits of the sunbed cut into you. The best thing if you can find one is one of those terrific old-lady sunbeds with the fabric protecting bits on them that you can pull over your head. Yes, they look totally stupid. But hey, you’re reading in comfort and nobody else is, so you still win.

  Walking down the street

  It used to be quite acceptable to walk down the street carrying a book in front of your nose. People would smile indulgently and step out of your way, because they knew what it was like to need to read something so desperately (I once saw a girl hanging on a strap on the London tube dislocate her wrist trying to change at Bank and finish A Suitable Boy at the same time).

  However, these days everyone holds their stupid smartphone in front of them the entire time in case somebody likes a dog picture on Facebook and they miss it by two seconds, and therefore simply walking down the street has become far more of an obstacle course even without holding up a paperback. Proceed with caution.

  Book group

  If you’re reading this for a book group, I can only apologize and assume it’s 2:15 A.M. the night before the evening. Something about being forced to read a book, I find, makes you feel like you’re still at school, and hey, if we wanted to do homework, we’d go and take that evening class we keep promising we’ll do when we get the time. Mostly if you have to read in a rush it’s in case someone says, “Well, what did you think of that ending?” and you have to nod along, desperately hoping it wasn’t a trick ending where they reversed everything (I will tell you, this has happened to me). Therefore, let me reassure you: there is no twist ending in this book. Except I would say that, wouldn’t I, if there actually was.

  Hammock

  Once upon a time when I was young, I had a lovely boyfriend who bought me a hammock and hooked it up on my tiny and highly perilous roof terrace, where I spent many happy hours just rocking and reading, eating Quavers and reflecting on my lovely handsome boyfriend.

  Then (reader), I married him and we had a bunch of children and a dog and moved somewhere where it rains all the time, and I think the hammock is in storage. This, my friends, is apparently what’s known as “happy ever after.”

  Stolen book time

  Ah, the best time. I often turn up ten minutes early to pick the children up from swimming, or steal a quarter of an hour after I’ve done the supermarket shop, and sit in the car and grab some time back from the world for me and my book. We deserve it, and it is all the sweeter.

  Commuting

  Commuting r
eading is great, if you can get the hang of it. Because commuting is so regimented—just watch the glazed looks of people who trace that infinitely complicated, beautiful dance through stations every day—your brain instantly complies with the order to remove you from all this for exactly the right amount of time. Put your phone away; all that fussy crud can wait till you get into work. This is your reward for having to commute.

  Traveling

  Traveling is not the same as commuting. I am, as you might expect, very much against Wi-Fi coming to cars and airplanes, although of course it absolutely is. Even so, pre-book a window seat so you can curl up; put your headphones on and something soothing on the in-flight radio, and dive in for several hours. Except for that bit when they’re bringing drinks down the aisle and you think they’re going to miss you and you get a bit antsy and can’t concentrate. Put the book down at that point and glance at a magazine, pretending to be really casual and utterly unfussed as to whether you get served or not. I have also tried to eat, drink, listen to music and read in an economy airline seat all at the same time. Don’t do this unless you have plenty of spare cash handy for someone else’s dry-cleaning bill.

  Trains are built for reading. I find a good pair of headphones less troublesome than sitting in the quiet carriage and having to police it for noisy idiots. I’m not saying they should get a prison sentence. But I’m not saying they shouldn’t, either.

  In front of the fire

  If you haven’t got a fire, a candle will do. The one thing I really look forward to as the nights draw in is a big cozy fire and a good book—the longer the better. I love a really, really long novel, a large cup of tea, or glass of wine depending on how close to the weekend we are (or how much I am in the mood to stretch the definition of what constitutes the weekend), and a bit of peace and quiet. A dog helps, too. Dogs are tremendously good at showing you you don’t have to check your phone every two seconds to have a happy life.

  Hospital

  I have spent a lot of time in hospitals for one reason or another: I worked in one, I had a bunch of children in one, and those children have subsequently spent a bunch of times falling out of trees and breaking limbs, etc. etc.

  Hospital time doesn’t move like other time. It’s a hell of a lot slower, for one thing. It doesn’t stop at night. And there is always that slight sense of wonder at everything that is going on, for all the real dramas most of us will know—loss and new life, happiness and the deepest mourning—are happening all around, on every floor of a sterile, overheated building, terror and pain and joy in every clipped professional footstep on highly polished linoleum.

  I find it hard to read in a hospital; it is like being in a great ship pushing through difficult waters, while outside are people on land, walking about and carrying on with normal lives, oblivious to the choppy waters being navigated so very close to them.

  Poetry works well in a hospital, I find. Short things, from which you can look up and feel not quite so fragile, not quite so disconnected; for we are all there, or have been, or will be.

  It is also a very kind place, a place to sit and read quietly to somebody else.

  This is why I don’t feel any moral outrage when people complain about hospital shops selling cakes and ice cream. Hospitals should always have cakes. At the very, very least.

  Under a shady tree in a sunny park

  But of course. Mr Whippy ice cream, please, not the solid stuff.

  Misc

  Some of my proudest achievements have been figuring out how to read while breastfeeding (use a pillow UNDER the baby’s head); drying my hair (I have awful hair); brushing my teeth (I have good teeth, probably because I brush for well over the recommended time); waiting for traffic lights to turn from red to green; locked in the bathroom at a very boring wedding (not my own); at soft play (I once read an entire novel on a wet afternoon while my kids frolicked in a ball pool; I think we all had the best day ever); having a pedicure (I never have manis, can’t read through ’em); standing in a queue; in a convertible (tricky); in church (a sin, and one for which I was righteously punished); on business trips where I had to eat alone in restaurants (you’re never alone with a book); and, all the way back to where this started, for about a million hours in the right-hand back seat of my dad’s old green Saab 99, the weight of my youngest brother’s curly head fast asleep in my lap and a Fab lolly to accompany me.

  So do let me know where you read. Because every day with a book is slightly better than one without, and I wish you nothing but the happiest of days.

  Now, come and meet Nina . . .

  Chapter One

  The problem with good things that happen is that very often they disguise themselves as awful things. It would be lovely, wouldn’t it, whenever you’re going through something difficult, if someone could just tap you on the shoulder and say, “Don’t worry, it’s completely worth it. It seems like absolutely horrible crap now, but I promise it will all come good in the end,” and you could say, “Thank you, Fairy Godmother.” You might also say, “Will I also lose that seven pounds?” and they would say, “But of course, my child!”

  That would be useful, but it isn’t how it is, which is why we sometimes plow on too long with things that aren’t making us happy, or give up too quickly on something that might yet work itself out, and it is often difficult to tell precisely which is which.

  A life lived forward can be a really irritating thing. So Nina thought, at any rate.

  Nina Redmond, twenty-nine, was telling herself not to cry in public. If you have ever tried giving yourself a good talking-to, you’ll know it doesn’t work terribly well. She was at work, for goodness’ sake. You weren’t meant to cry at work.

  She wondered if anyone else ever did. Then she wondered if maybe everyone did, even Cathy Neeson, with her stiff too-blond hair, and her thin mouth and her spreadsheets, who was right at this moment standing in a corner, watching the room with folded arms and a grim expression, after delivering to the small team Nina was a member of a speech filled with jargon about how there were cutbacks all over, and Birmingham couldn’t afford to maintain all its libraries, and how austerity was something they just had to get used to.

  Nina reckoned probably not. Some people just didn’t have a tear in them.

  (What Nina didn’t know was that Cathy Neeson cried on the way to work, on the way home from work—after eight o’clock most nights—every time she laid someone off, every time she was asked to shave another few percent off an already skeleton budget, every time she was ordered to produce some new quality relevant paperwork, and every time her boss dumped a load of administrative work on her at four o’clock on a Friday afternoon on his way to a skiing vacation, of which he took many.

  Eventually she ditched the entire thing and went and worked in a National Trust gift shop for a fifth of the salary and half the hours and none of the tears. But this story is not about Cathy Neeson.)

  It was just, Nina thought, trying to squash down the lump in her throat . . . it was just that they had been such a little library.

  Children’s story time Tuesday and Thursday mornings. Early closing Wednesday afternoon. A shabby old-fashioned building with tatty linoleum floors. A little musty sometimes, it was true. The big dripping radiators could take a while to get going of a morning and then would become instantly too warm, with a bit of a fug, particularly off old Charlie Evans, who came in to keep warm and read the Morning Star cover to cover, very slowly. She wondered where the Charlie Evanses of the world would go now.

  Cathy Neeson had explained that they were going to compress the library services into the center of town, where they would become a “hub,” with a “multimedia experience zone” and a coffee shop and an “intersensory experience,” whatever that was, even though town was at least two bus trips too far for most of their elderly or strollered-up clientele.

  Their lovely, tatty, old pitched-roof premises were being sold off to become executive apartments that would be well beyond the reach o
f a librarian’s salary.

  And Nina Redmond, twenty-nine, bookworm, with her long tangle of auburn hair, her pale skin with freckles dotted here and there, and a shyness that made her blush—or want to burst into tears—at the most inopportune moments, was, she got the feeling, going to be thrown out into the cold winds of a world that was getting a lot of unemployed librarians on the market at the same time.

  “So,” Cathy Neeson had concluded, “you can pretty much get started on packing up the ‘books’ right away.”

  She said “books” like it was a word she found distasteful in her shiny new vision of Mediatech Services. All those grubby, awkward books.

  Nina dragged herself into the back room with a heavy heart and a slight redness around her eyes. Fortunately, everyone else looked more or less the same way. Old Rita O’Leary, who should probably have retired about a decade ago but was so kind to their clientele that everyone overlooked the fact that she couldn’t see the numbers on the Dewey Decimal System anymore and filed more or less at random, had burst into floods, and Nina had been able to cover up her own sadness comforting her.

  “You know who else did this?” hissed her colleague Griffin through his straggly beard as she made her way through. Griffin was casting a wary look at Cathy Neeson, still out in the main area as he spoke. “The Nazis. They packed up all the books and threw them onto bonfires.”

  “They’re not throwing them onto bonfires!” said Nina. “They’re not actually Nazis.”

  “That’s what everyone thinks. Then before you know it, you’ve got Nazis.”

  With breathtaking speed, there’d been a sale, of sorts, with most of their clientele leafing through old familiar favorites in the ten pence box and leaving the shinier, newer stock behind.

  Now, as the days went on, they were meant to be packing up the rest of the books to ship them to the central library, but Griffin’s normally sullen face was looking even darker than usual. He had a long, unpleasantly scrawny beard, and a scornful attitude toward people who didn’t read the books he liked. As the only books he liked were obscure 1950s out-of-print stories about frustrated young men who drank too much in Fitzrovia, that gave him a lot of time to hone his attitude. He was still talking about book burners.